ORIGINALLY PUBLISHED BY THE SOMERS RECORD (05-21-26)
The television industry has gone through a lot of changes since the first nascent broadcasts of the 1930s, including trying to muddle on without me now that I have retired from it. One transformation is the evolution of the television theme song. To accommodate more commercials, the opening songs have lately been reduced to only a few notes, barely long enough to get something unhealthy from the fridge.
Those catchy jingle-like songs have become anthems to a bygone era. A simpler time, where you could leave things to Beavers, and horses could talk, nuns could fly and you could marry a witch and even mention it to her face, and at the end of 30 minutes, all would be normal again.
Making up a theme song can't be very easy. You might have to make sense of a show premise that may be ridiculous, like "identical cousins" that are "two of a kind," without going into too many specifics regarding molecular genetic biology. Or you may be forced to introduce characters who are either uninteresting, like "Potsie" or have a stupid name, like "Potsie." Or you may be faced with the fact that nothing rhymes with "Alf."
Often it was up to the writer of these songs to convey the entire arc of a sometimes preposterous plot in under a minute. "Okay. We'll need a 50-second song that explains that a family of Halloween-related nuts and misfits, with a servant who is a disembodied hand, a cousin made up only of talking luxurious hair, a carnivorous creeping vine and a fat kid live in a mansion and are funny. If you get stuck, you can use the word "ookie" if you need to. Where are you going?"
"We also have a show about a crime-fighting millionaire who lives in a cave powered by a nuclear reactor-type-thing, and he wears a cape and ladies hosiery, but don't worry, it's a flattering color, and he has a youthful ward but in those days that just meant you were unemployed, and he wears tights too and his name is Robin, not too gender-specific but it's okay he wears a mask so he won't die of embarrassment each week, and there's a butler, but he doesn't wear tights, maybe on his own time, and- where are you going?" But the writer returns a few months later with a song that just says "Batman" eight times and YOU figure the damn thing out.
"Okay. This one's a no-brainer. There's a family of six that plays music together, and they ride around in a school bus and tour in Las Vegas, even though only the Mom is old enough to get in, and the 10 year-old who is the only one who has red hair knows a middle-aged manager with no other clients and no one happens to notice that after three years one of the children is different. You got all that? Hey! Come BACK!"
You might have to explain the bizarre premise DURING the theme song, so that people know what they're getting into, and leave it for the police to sort out the consequences. "Ma'am, we're responding to a complaint of shots fired at a frozen pizza outside of your home." "Oh, yeah, that was me, trying to see if there was any petroleum reserves on my property, like on the 'Beverly Hillbillies.'" "Ma'am, your home is in Brooklyn." "Yes, but as the theme song said, the poor mountaineer was shooting at some food, and, while I am not poor, I do have some credit card debt, and even though this is not technically a mountain, it is Brooklyn Heights. I never actually saw the show, but I'm exploring alternative avenues of possible revenue."
You'll have to roll with the punches. You may need to build into the song the sound of Dick van Dyke tripping over an ottoman each week even though it's always in the same place, or you may have to change some lyrics if the Professor and Mary Ann don't want to just be "the rest" anymore, or you may have to figure out an entirely new theme for a show about Americans in a Nazi Germany prisoner-of-war camp during World War Two, because they forgot to tell you it was a comedy.
Even if you came up with a wonderful theme song, eventually you could count on the suits upstairs to chime in and ruin it. And that's how you end up with phrases like, "who can turn the world on with their smile," or "come on, get happy." If we wanted to be turned on and happy, we'd shut the TV off for four or five minutes.
So, the next time you're watching "Seinfeld" and you hear that theme song that sounds like popcorn popping, just remember that someone had to write those tunes that make you want to go where everybody knows your name, and it's a beautiful day in the neighborhood, and your friends will be there for you when the rain starts to pour, and all it takes to get there is the courtesy of Fred's two feet.
